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All recent questions and discussions Unread questions and discussions Questions and discussions you've participated in Questions and discussions you've started Unanswered questions and discussions Answered questions and discussions Questions with suggested answers. Not Answered 8 months ago. Not Answered 11 months ago.
Not Answered over 1 year ago. Not Answered over 6 years ago. Not Answered over 7 years ago. Suggested Answer over 7 years ago. Right: Artistic text, formatted as a logo. Vector graphics are based on mathematical equations, which remain the You can create both paragraph and artistic text same regardless of the changes you make. Bitmap images are based on pixels, which are tiny units of color. You can One way to organize graphic and text objects think of a vector graphic as composed of lines in a document is by creating a table and and fills, and a bitmap image as composed of inserting the objects into the table cells.
Tables a mosaic of colors. Selecting, sizing, and transforming objects After adding an object to your document, you may want to modify the object. To modify an object, you must first select it. There are two ways in which you can work with You can select an object by using the Pick tool. The bounding box contains control handles that allow you to Inserting bitmaps transform the object. When you import a bitmap image into CorelDRAW, you can either embed it or link it to an external file.
When you link to an external file, any edits that you make to the external file are automatically applied to the imported file in CorelDRAW. After you import a bitmap, the status bar provides information about the color mode, size, and resolution of the bitmap. When you import the bitmap into the document, you can make changes to the bitmap by using the Edit bitmap feature in CorelDRAW. Coloring and styling objects In addition to transforming objects, you can style your objects artistically.
For example, you can apply a unique outline or fill, or add a drop shadow to create the illusion of depth. You can also make objects transparent. A list of preset arrowheads is also available. To add arrowheads to the starting point or endpoint of a line, you can choose a preset from the list or create a custom arrowhead. Choosing fills CorelDRAW provides a wide range of fills to help you add patterns and texture to your objects. You can fill an object with one color, or with a blend of two or more colors.
Or you can select a more complex fill, such as a texture or pattern, or create your own fill. A transparency effect has been applied to the bottom circle, so that it appears to be under water. Formatting outlines You can change the outline of an object in various ways.
Depending on your design needs, you can choose a different outline color, thickness, or style such as a dashed or dotted line. To change the appearance of outlines, you can use controls in the Outline pen dialog box, the Outline page of the Object Top to bottom: Uniform fill, fountain fill, and pattern fill properties docker, or the property bar.
The Fill tool lets you choose one of five fill types, each with a wide range of options. The Interactive fill tool lets you apply a fill dynamically by using property bar controls while drawing in the document window. The following list describes the types of fills that are available for each tool. The Drop shadow such as a floral wallpaper design.
You can use the Interactive fountain fill and apply changes to it in real transparency tool to apply a transparency fill, time.
Adding transparency Adding effects You can apply transparency to create a realistic CorelDRAW offers a range of tools that you can rendering of objects such as water and glass.
You can sample color from anywhere in your document and then copy that color to another object. To sample color, click the Color eyedropper tool, and click the color. To apply the color, point to an object, and click. When you use a color in your document, the color is added to the Document palette, which is docked at the bottom of the application window when you start a new document or open an existing document.
Positioning objects CorelDRAW provides several tools to help you position and align objects on the page. You can use these tools to avoid small gaps or misalignments that are not apparent on-screen but become noticeable after printing. You can use snapping to align an object with another object in a document.
When snapping is turned on, snap points appear in various locations around an object, such as the corner, center, or edge. The Document palette is automatically updated as you add colors to your document. You can use this palette to create a color scheme for your project.
To reuse objects in your documents, you can either copy and paste the objects, or you can duplicate them. Using the first method, you can copy an object to the Clipboard and then paste the object in your document. Using the second method, you can quickly create multiple duplicates of the object and place them in your document. Left: The blue rectangle is dragged down to snap to the red rectangle. Right: The two objects are snapped together. If you want to align an object with another object but do not want to snap directly to the object, you can use dynamic guides.
Dynamic guides are temporary guidelines that are based on one of the following snap points of an object: center, node, quadrant, or text baseline. You can drag the object along the Left: The object has been copied and pasted. Right: The object has been duplicated. Grouping and combining objects You may want to make changes to a group of objects or move them without changing their position in relation to each other.
CorelDRAW lets you group objects to manage them more easily. When you group objects, each object retains its own properties. When you finish working with the objects as a group, you can ungroup them and work on each one individually.
Left: A vertical dynamic guide is used to align objects. Right: A horizontal dynamic guide is used to align objects. The three chair images are selected as a group. You can also use the document grid to align objects within the document window.
You can reduce the size of these squares create a single curve object that has the fill and for more precise alignment in your document.
You can edit this curve object whenever necessary. In addition, you can combine objects as a way of creating objects with holes. Organizing objects The more objects you add to your document, Objects can be placed on the drawing page by aligning them with a grid. Layers make it easier to view and work with multiple objects simultaneously. The Object manager docker lets you add, move, and delete layers in a document. You can set up layers before you begin working on your document, or you can add them as needed and then move existing objects to the the newly added layers.
Left: Portrait orientation. Right: Landscape orientation. You can select from a long list of common paper sizes, including legal, business card, and various envelope sizes. You can specify a background for your pages. A background consists of a single color or a bitmap, which is tiled to fit the page. The Object manager docker lets you select and modify page layers.
Left: Page with a solid red background. Right: Page with a tiled bitmap background. Depending on your desired output, you can customize the look of your pages by specifying different page layouts, such as a booklet, tent card, or brochure.
You can also toggle the Sharing your work page orientation between landscape and To share your finished document with others, portrait, and you can create a custom page you can print a copy on a personal printer. Or size. If your document has multiple layers, and you preview.
Make sure that the layers If you are using a print service provider, you to be printed are visible and enabled for must ensure that your document meets the printing in the Object manager docker.
Consult with the print service provider if you do not have this information, so that you know which options to enable in the document. Follow the instructions in the Collect for output wizard. In this example, the objects on Layer 2 are visible in the document window and are enabled for printing.
The objects on Layer 1 are visible, but will not appear in the printed copy of the document. In the Print dialog box, choose a printer from the Printer list box, and choose a print range option. Export dialog box Depending on which file format you choose when exporting a file, you can set additional options. For example, with the Adobe Illustrator AI file format, you can choose a specific version of Adobe Illustrator in the Export dialog box. The Print dialog box lets you set printing preferences for your document.
The You can set export options for Adobe Illustrator files. In the Units area, or points choose a unit of measure for the horizontal and vertical rulers.
In the backup files, and any auto- Workspace list of categories, backup settings click Save to access the backup file settings. Type a value in the Nudge box. They can also be attached application window. Dockers, and click a docker. You can change the foreground opening, saving, and printing. Additional and fill colors by using the default color toolbars contain shortcuts for more palette, which appears on the right side of specific tasks.
For example, when you use the Zoom tool, Toolbox the property bar changes to display The toolbox contains tools for editing, controls for zooming.
The last-used tool in the flyout appears on the button. The status bar also displays tips related to the active tool. This feature is available only when the entire image is too large to be viewed Example of a flyout all at once.
The Mask transform tool lets you position, size, and rotate editable areas. Mask tools The Rectangle mask tool and the Ellipse mask tool let you define rectangular and elliptical editable areas.
The Freehand mask tool lets you define irregularly shaped or polygonal editable areas. The Lasso mask tool lets you define editable areas that are irregular in shape and surrounded by pixels of similar colors.
An edge is indicated by an outline that is colored in contrast to the surrounding area. The Magic wand mask tool lets you define editable areas of irregular shape. Pixels that are adjacent to, and similar in color to, the first pixel that you click are included in the editable area. The Brush mask tool lets you define an editable area by painting it with a brush. Crop tool The Crop tool lets you remove unwanted areas and straighten crooked images.
Zoom tools The Zoom tool lets you change the magnification level in the image window. Eyedropper tool The Eyedropper tool lets you sample colors from an image.
Eraser tool The Eraser tool lets you erase areas of an object or image to reveal the underlying object or background. Text tool The Text tool lets you add text to your image and edit existing text objects. Touch-up tools The Red-eye removal tool lets you remove the red-eye effect from the eyes of photo subjects. The Touch-up brush tool lets you remove image imperfections, such as tears, scratch marks, and wrinkles, by blending textures and colors.
Shape tools The Rectangle tool, Ellipse tool, and Polygon tool let you draw rectangles, squares, ellipses, circles, and polygons. The Line tool lets you draw single or joined straight-line segments by using the foreground color. The Path tool lets you create and edit paths. The Interactive fill tool lets you apply a fill to an entire image, object, or selection and then adjust the fill directly in the image window.
Brush tools The Paint tool lets you paint on an image by using the foreground color. The Effect tool lets you correct color and tone. The Image sprayer tool lets you load one or more images and apply them in a repeating sequence as you paint. The Replace color brush tool lets you replace the foreground color in your image with the background color.
The Object transparency tool lets you make the colors of an object fade gradually toward the image background color. The Color transparency tool lets you make specific pixels in an object transparent, based on their color value. The Object transparency brush tool lets you brush areas on an object to make them more transparent. Color control area The foreground color is the color that you apply to an image or text by using the brush tools.
The background color is the color that Foreground color appears when you erase portions of the background or increase the paper size. The fill color is the color that you apply by using the shape Swap color and fill tools.
Background color The Swap color arrow lets you switch the foreground and background colors. You can change the foreground, Fill color background, or fill color by double- clicking the respective color swatch.
Reset color The Reset color icon lets you return to the default colors: black as the foreground and fill color, and white as the background color. WIA is a standard interface and driver for loading images from peripheral devices, such as The selected area indicates the portion of the image that scanners and digital cameras. The area outside the selection will be cropped. For more information, see the documentation that and click a menu command.
You can remove these defects by using special effects filters. Top: The image has been selected for rotation. Cropping and rotating Bottom: The image has been rotated. Cropping lets you remove unwanted areas from images to improve their composition. Straighten image.
Resolution of 72 dpi left and dpi right Top: The Straighten image dialog box displays a crooked image. Bottom: The image has been The image size pixel dimensions and straightened. The more pixels an image Changing image size and contains, the higher its quality.
However, a resolution larger image produces a larger file. Image resolution refers to the number of pixels per inch ppi Increasing image resolution for print within an image. The pixels-per-inch measurement corresponds to dots per inch Images that are intended for print need to have dpi in discussions of printing or scanning. To prepare a photo Note that the image size in pixels differs from taken with a digital camera for print, you need file size, which is measured in kilobytes KB , to maintain the original file size the number of megabytes MB , or gigabytes GB.
This Image resolution determines how sharp and method decreases the width and height of the detailed an image is when it is displayed on a image and creates a better printed result.
The resolution you choose Alternatively, you can specify a smaller width depends on how the image is output. Typically, and height, which automatically increases the images that are created for display on resolution values. Images that are intended to be printed Resample. The Resample dialog box top shows that the photo bottom has a resolution of 72 dpi, which is too low for print. Top: The Resample dialog box shows that a photo is not suitable for Web use.
Bottom: To prepare the photo for the Web, the unit of measure is changed to pixels. Then, the image resolution is decreased to 72 dpi, which automatically decreases the width and height of the To increase the image resolution for print, the Maintain image, along with the file size.
Next, the resolution is increased to dpi, and the width and The photo that you are preparing for the Web height of the image are automatically adjusted.
Reducing file size and image You can specify the exact dimensions you need dimensions in the Resample dialog box. When you specify these settings, the image resolution and the If you want to use an image on a Web page, file size are automatically adjusted. You can convert images to different color modes, depending on their intended use. For example, the CMYK color mode is recommended for images to be sent for commercial printing.
The height of the photo is automatically decreased in proportion to the width Whenever you convert an image, you may lose because the Maintain aspect ratio check box is color information.
For this reason, you should enabled. Otherwise, images may appear stretched and pixelated. Convert to command.
Decreasing the image size after cropping ensures that the image has as much useful information as possible. As a result, an image that is displayed on your monitor may differ in size from a printed version. When you To remove red-eye, start by zooming in on clone, you copy pixels from one image area to the eye. Then, click the Red-eye removal another. To clone image areas, click the Clone tool, and choose Clone from the Brush category: Clone picker on the property bar.
Next, click to set the source point, and drag where you want to apply the pixels from the source point. To reset the source point, right-click the area that you want to clone. The Red-eye removal tool has been used on the photo subject to correct the right eye and select the left eye. Dust and scratch marks are another common problem in images. You can remove dust and scratch marks by applying a filter to the entire image.
If an image has one or more scratches in a specific area, you can create a mask around the scratches and apply the filter to the editable area. Left: The source point is set to clone areas of the sky. Middle: Cloned sky areas are copied on top of the post. Right: Retouched image. If you use a soft-edge brush and a greater transparency value, the cloned areas blend seamlessly in the image.
You can remove noise from Left: The dust marks reduce image quality. Right: Dust digital photos or scanned images by clicking marks have been removed in the retouched image. Smart blur. It lets you brighten or darken a photo, improve the contrast, reveal image detail, and correct washed-out colors.
You can experiment with different settings and capture them in snapshots, so that you can compare different versions and choose the best result. Right: The noise has been removed the Help.
Note the blue color cast in the Before photo. The blue cast has been corrected in the After photo. You can increase the color saturation for photos that contain dull colors.
In the Before photo, the colors are muted. In the After photo, the color saturation has been increased to create more vivid colors. If a photo contains dark shadows that obscure the photo subjects, you can brighten the photo by lightening the shadows. In the Before photo, shadows darken both the grass and photo subjects. In the After photo, the shadows have been lightened to make the subjects more visible.
You can display a mask overlay that appears only over protected areas to make it easy to differentiate between protected and editable areas. The border separating an editable area and its corresponding protected area is indicated by a dashed outline, called the mask Left: The editable area includes a part of the wing.
You can display the mask marquee Middle: The remaining part of the wing is added to the editable area, along with some blue background. Right: The blue background is removed from the editable area. In addition, you can adjust the edges of an editable area so that it blends smoothly into the protected areas. You can invert a mask so that the protected area becomes editable and the editable area becomes protected. For example, if you want Left: Mask overlay. Right: Mask marquee. If you Left: The Magic wand mask tool is used to select the want to subtract from or add to an editable background.
Right: The mask is inverted to select the area, you can access mask modes from the butterfly. Working with objects and lenses Objects are transparent layers that float above the background and stack on top of one another. For example, when you open a photo, it becomes the background. Any new objects are stacked above the background as they are created. Using objects offers many advantages. Objects can be repositioned, resized, rotated, and edited without affecting other objects or the background.
In addition, you can place an An editable area is selected and copied left to create a object behind or in front of other objects, and new object right. Left: The Multiply merge mode is used to blend two objects. Right: Blended image. Left: Original image.
Middle: A lens is applied to the entire image. Right: A lens is applied to an editable area. To prepare an image for printing, you can save or export to the TIFF file format. The GIF file format is suitable for images that contain solid colors.
Regardless of how you distribution, Prepress, or Web. Saving to the CPT file for printing your work. For more information, see the Export to a different file format. For patterns. Color is an important design digital cameras, and printers to store, element because it helps you set a tone or manipulate, and accurately reproduce color.
Each color is defined numerically. The numeric values allow How are colors defined? The applications. Unlike the RGB and CMYK color models, the Lab color model is based on how the human eye perceives color, rather than on how monitors, printers, digital cameras, and other devices reproduce color. For this reason, Lab is known as a device-independent color model. Through the use of color models, this complex process has been defined mathematically.
This figure is often used as a resulting color as white. In theory, the colors reference for comparing the range of colors are still red, green and blue, but the pixels on a that other color models can produce.
Lab is monitor are too close together for the eye to also used in color management as a reference differentiate the three colors. When the value for converting colors from one color space to of each component is 0, which signifies an another. RGB is the most commonly used color model, because it allows a broad range of colors to be stored and displayed. White is the result of combining the amounts of red, green, and blue light in a three RGB colors at their maximum intensities.
In a bit image, each component is expressed as a number from 0 to The printing, uses the components cyan C , combination of these components defines a magenta M , yellow Y , and black K to single color. Values for these components In additive color models, such as RGB, color is range from 0 to and represent produced from transmitted light.
RGB is percentages. When red, white paper. When the value of each describes the amount of white in the color. Like component is 0, no color is added to the saturation values, brightness values range from surface, so the surface itself is revealed — in 0 to and represent percentages the higher this case, the white paper.
Black K is included the value, the brighter the color. Black ink produces sharper results, especially for printed text. In addition, black ink is usually less expensive than using colored ink. HSB color model Grayscale color model The grayscale color model defines color by using only one component, lightness, which is expressed in values that range from 0 to in CMYK color model.
Black is the result of combining the three CMY colors at their maximum intensities. The value range varies, depending on the bit rate of the image.
S , and brightness B as components for defining color. Hue describes the pigment of a color and is expressed in degrees to represent the location on the standard color wheel. For example, red is 0 degrees, yellow is 60 degrees, green is degrees, cyan is degrees, blue is degrees, and magenta is degrees.
Saturation describes the vividness or dullness of a color. Values of saturation range from 0 to and represent percentages the higher the value, the more vivid the color.
The color mode determines the Adobe Illustrator AI file format. For example, colors to be used in the application. For if you set the RGB color mode as your primary example, if you know that the intended color mode and export a document as a JPEG, destination for your project is the Web, you can the color mode is automatically set to RGB. By choosing the correct color mode when you start a project, To specify the color mode for a new you can take some of the guesswork out of CorelDRAW document, choose an item choosing colors.
As a result, the colors in your from the Primary color mode list box in projects will be reproduced more accurately. The CMYK color mode is recommended for printed material, while the RGB color mode is recommended for material that will be viewed online.
This color mode lets you The CorelDRAW primary color mode does not store a broad range of colors and can be easily restrict the type of colors that you can apply to converted to CMYK for printing.
However, if you apply a spot color to you choose for a new image determines the the image background, the color is converted default color palette.
For example, if you to the RGB color mode. The from the Color mode list box in the primary difference between these two Create a new image dialog box. Process colors A typical project may contain hundreds of colors, but you do not need hundreds of color separations when you print it. Only four inks cyan, magenta, yellow, and black are needed to print full-color documents.
The colors that are produced by mixing these four standard printing inks are known as process colors. When you choose a color Cyan C , magenta M , yellow Y , and black K color from another palette, such as CMYK, the color separations are used to reproduce full-color images.
Spot color instead of a process color. Because the colors are converted from RGB You can choose a spot color from any of the to CMYK before ink is applied to the paper, spot-color palettes that appear in the Palette a shift in color may result. Each color swatch in colors and process colors in your project, turn provides numerous shades and tones consider the following: from which to choose.
Clicking the blue color swatch on the color palette fills the circle with blue. Right-clicking the red color swatch on the color palette changes the Fill color swatch to red. To access different shades of a color, hold down a color swatch until a pop-up color palette appears. Holding down the red color swatch displays various shades of red in a pop-up color palette. It lets you pick an outline or fill color from the standard color Color Styles docker picker, or create a custom color using color models, mixers, and additional palettes The Color styles docker lets you create, apply, available in the Select color dialog box.
When you apply a color style to multiple objects, you can simultaneously update all the objects by modifying the color style. The Color styles docker also lets you organize color styles in groups called harmonies. A harmony allows you to link color styles in a specific relationship, so that when you edit one style in the harmony, the other styles get updated without changing the color relationship. Use this feature to preview a drawing in different color schemes or modify the entire color composition in one step.
The top section of the styles list includes individual color styles, while the bottom section contains color harmony folders. Uniform Fill dialog box The Uniform fill dialog box gives you access to additional color palettes and lets you use various methods for choosing and editing colors.
For example, you can use color viewers or color mixers to specify the color you want. Eyedropper tools Eyedropper tools let you quickly choose a color from one area of your document or image and apply it to another area. These tools are useful when you want to ensure an exact match with an existing color in your project. You can also use eyedropper tools to match colors from images outside the image or document, outside the application, or on the desktop. To choose a color from an item on your desktop, click the Color eyedropper tool in the CorelDRAW toolbox, and click Uniform fill dialog box Select from desktop on the property bar.
Color docker Then, click a color on your desktop. The Color docker provides the same variety of color mixers, viewers, and palettes that are already available in the Uniform fill dialog box as well as some additional controls, such as color sliders.
It also has one advantage over the Uniform fill dialog box: You can keep it open Clicking Select from desktop on the property bar lets at all times. Because an infinite on the palette, and click a color in the number of colors are available in CorelDRAW, document window.
You can create a color style from an existing object or from scratch. When you create a color style, it is saved to the active drawing and to the Color styles palette. To create a color style, drag a swatch from any open palette, or drag an object from the document window, to the top gray The eyedropper button on the Document palette area of the Color styles docker.
On the property bar, click the such as color sliders, mixers, and custom Uniform button for the Fill control, and palettes. Most of these controls are also click the Edit fill button. Then, click the available in the Select color and Uniform fill Eyedropper button in the dialog box, and dialog boxes, and the Color docker. The eyedropper button in the Uniform fill dialog box Working with color styles and harmonies Select a color style in the color styles list, and edit its properties in the Color editor.
You can distinguish a A color style is a color that you save and apply color style from a regular color by the white triangle in to objects in your CorelDRAW document. A the upper-left corner of the color swatch. To create a color harmony from scratch, click the New color harmony button , and choose New color harmony. Then, drag color swatches from any open palette to the harmony folder in the Color styles docker.
To create a color harmony from an existing When you create a color style in the Color styles docker object, drag the object to the bottom part left , it is automatically added to the Color styles of the gray area in the Color styles docker, palette right. The Color styles palette is not open by default. You can select all color styles that are not used in a document.
You can also convert color styles to different color modes or to spot colors to prepare your document for production printing. To select all color styles that are not used in a document, click the Select unused button in the Color styles docker. Color styles can be combined into groups called harmonies. A harmony allows you to link color styles into hue-based relationships and modify them together as a set.
By editing color styles in a harmony, you can quickly create a variety of alternate color schemes by shifting the colors together, or you can alter the color The color harmony was created by dragging the clipart composition of your artwork in one step. When you edit a harmony, you can change all color styles simultaneously by preserving the relationship between them, or you can modify Color styles grouped in a harmony individual color styles within the harmony.
When you change the hue of the master style in a gradient, you automatically update the related color styles, based on the new hue and the original saturation and brightness values. Using the Harmony editor, you can experiment with different color schemes.
By changing one color, you can also find other colors that go well with that color. CorelDRAW allows you to create a special type of color harmony called a gradient. You have the flexibility of importing some workspace elements and excluding others.
You also have the option of May 1, Vector objects can be converted to embroidery designs. For a full description of the tools, refer to the electronic User Guide available via the Windows Start. Technical Suite X6.
Technical Suite X7. Technical Suite Ensure that diagrams, instructions, and flowcharts are easy to read by using halos on curves. Create and import tables Operation instructions covered in this resource are irrelevant to the Mode Option on the cutter keypad.
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